In January 1999 Cold Days, an exhibition by Judy Ledgerwood, opened at the Renaissance Society in Chicago. This exhibition was the impetus for Judy's first exhibition at 1301PE Sunny Days which opened March 23, 2002.
Cold Days at The Renaissance Society
As stated in the 1301PE press release for Sunny Days the all white canvases in Cold Days "were to be encountered after trudging through the snow in Chicago."
"Those primarily white site-specific paintings provided Ledgerwood with a starting point for this exhibition [Sunny Days]."
Sunny Days at 1301PE
"In the new works, she explores the melancholia that lies behind the sun. While the Cold Days painting were monochromatic, in the new works Ledgerwood uses a more complex tonal range as a challenge to describe the fleeting moment of Los Angeles in spring."
Thursday, March 25, 2010
Monday, March 22, 2010
Food/Wine: The Cheese Store of Beverly Hills
Today we stopped by The Cheese Store of Beverly Hills where Susanne Friend works. Susanne is an art conservator 5 days a week and a cheese afficionado at The Cheese Store on Saturdays.
Wednesday, March 17, 2010
The Gallery: Chromophilia Installation
On Monday Judy Ledgerwood arrived from Chicago to begin installation on her exhibition Chromophilia which opens this Saturday.
Ceramics drying in the sun
Tempera paint bottles
Ceramics drying in the sun
In progress wall painting
Friday, March 12, 2010
Archive: 6150 Wilshire Before 1301PE
Before galleries moved into 6150 Wilshire Blvd. the building was a LANZ department store. Lanz of Salzburg is primarily known for producing nightgowns, classic pyjamas and other sleepwear.
According to Wikipedia, Developer A.W. Ross saw potential for the area, and developed Wilshire as a commercial district to rival downtown Los Angeles. Ross's insight was that the form and scale of the Wilshire strip should attract and serve automobile traffic rather than pedestrian shoppers.
Although the preponderance of shopping malls and the development in the 1960s of financial and business districts in downtown and Century City lessened the Miracle Mile's importance as a retail center, the area has retained its vitality thanks to the addition of several museums and commercial high-rises.
LACMA's building on Fairfax and Wilshire used to be a May Co Department store. Images from the Los Angeles Public Library Photo Collection.
According to Wikipedia, Developer A.W. Ross saw potential for the area, and developed Wilshire as a commercial district to rival downtown Los Angeles. Ross's insight was that the form and scale of the Wilshire strip should attract and serve automobile traffic rather than pedestrian shoppers.
Although the preponderance of shopping malls and the development in the 1960s of financial and business districts in downtown and Century City lessened the Miracle Mile's importance as a retail center, the area has retained its vitality thanks to the addition of several museums and commercial high-rises.
LACMA's building on Fairfax and Wilshire used to be a May Co Department store. Images from the Los Angeles Public Library Photo Collection.
Thursday, March 11, 2010
The Gallery: Goodbye Fireplace
Some 1301PE fireplace moments:
Original fireplace in group exhibition from January 2008 featuring work by John Reynolds (left) and Kerry Tribe (right).
Fireplace was subsequently covered up for during the gallery expansion in 2008.
Concealed fireplace in Jan 2009 group exhibition "Mind the Step"
In May 2009, Pae White asked for the fireplace to be uncovered for the installation of "November Gutter Leaves, Pasadena" in her exhibition Smoke Knows. Yesterday the fireplace on the ground floor of 1301PE was filled in to prepare for Judy Ledgerwood's exhibition "Chromophilia".
Before (Jose working on the fireplace)
After
Fireplace was subsequently covered up for during the gallery expansion in 2008.
Concealed fireplace in Jan 2009 group exhibition "Mind the Step"
In May 2009, Pae White asked for the fireplace to be uncovered for the installation of "November Gutter Leaves, Pasadena" in her exhibition Smoke Knows. Yesterday the fireplace on the ground floor of 1301PE was filled in to prepare for Judy Ledgerwood's exhibition "Chromophilia".
Before (Jose working on the fireplace)
After
Saturday, March 6, 2010
Music/Radio: In Our Time
At the gallery we've been listening to In Our Time, a radio program about the history of ideas on BBC 4. When Brian was visiting Ireland for Philippe Parreno's exhibition at the IMMA, he did a studio visit with Isabel Nolan. She turned him on to the program. Fittingly, the first program he listened to was on James Joyce and A Portrait of The Artist as a Young Man.
Friday, March 5, 2010
Food/Wine: Willoughby Road
Tuesday, March 2, 2010
Archive: 1301PE's First Show
On April 29th, 1992, 1301 (the PE for Projects and Editions was added later) opened its first show with work by Kate Ericson and Mel Ziegler. 1301 was named after the gallery's street address in Santa Monica. At this time the gallery was in Brian Butler's converted townhouse apartment. As it turns out, April 29th, 1992 was also the day the LA Riots broke out...
Kate Ericson and Mel Ziegler, Raw Material, 1992, G scale model train, sandblasted tinted Imperial Dandy Marble
Review of the show
Pictures of the LA Riots from the LA Times
Kate Ericson and Mel Ziegler, Raw Material, 1992, G scale model train, sandblasted tinted Imperial Dandy Marble
Review of the show
Pictures of the LA Riots from the LA Times
Food/Wine: Apple Pan
For lunch we got hickory burgers from Apple Pan on Pico Blvd., one of Jonathon Gold's 99 Things to Eat in LA Before you Die.
Apple Pan sign
Hickory burgers and fries
Apple Pan sign
Hickory burgers and fries
Abroad: 2010 Whitney Biennial
1301PE goes to the opening of the 2010 Whitney Biennial to support Kerry Tribe and Pae White.
Snowy New York
Pae White's tapestry at the Whitney - a direct departure from "Smoke Knows" series shown at 1301PE
Opening night
Snowy New York
Pae White's tapestry at the Whitney - a direct departure from "Smoke Knows" series shown at 1301PE
Opening night
Food/Wine: Pardo's Dinner in Mardid
Saturday dinner at la Manduca in honor of Jorge Pardo. In attendance were Lynne Cooke, chief curator of the Reina Sofia, and Rina Carvajal, curator of the 2010 Sao Paolo Biennial, among others.
Cesar Reyes, Jorge Pardo and Rina Carvajal
Dirk Snauwaert, Brian Butler, Lynne Cooke and Elba Benitez
Textured brick at la Manduca
Lubina (Sea Bass)
Cochinillo confitado (Confit of baby pig)
Cordero en chilindron (Lamb in Chilindron)
Chuleton a la parrilla (Steak on the grill)
Terrina queso con membrillo sobre dondo
Cesar Reyes, Jorge Pardo and Rina Carvajal
Dirk Snauwaert, Brian Butler, Lynne Cooke and Elba Benitez
Textured brick at la Manduca
Lubina (Sea Bass)
Cochinillo confitado (Confit of baby pig)
Cordero en chilindron (Lamb in Chilindron)
Chuleton a la parrilla (Steak on the grill)
Terrina queso con membrillo sobre dondo
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